Neither "field" nor "world": Contributions and theoretical tools to historicise the musical culture of the early 19th century in Buenos Aires

Authors

  • Guillermina Guillamon , Universidad Nacional de Tres de Febrero

DOI:

https://doi.org/10.20318/revhisto.2019.4754

Keywords:

Musical culture, cultural history, sociology of music, Buenos Aires 19th century

Abstract

This article analyses and systematises works from both cultural history and sociology, in order to point out conceptual tools and methodological perspectives that allow the analysis of musical culture at the beginning of the 19th century to be problematised. The main objective is to show how, based on diverse theoretical and analytical contributions, music constitutes an object of study that can be addressed by the social sciences.

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Published

2019-05-28

Issue

No. 30 (2019)

Section

Collective book

License

The holder of the copyright for the contents of this journal is the Instituto de Historiografía "Julio Caro Baroja" of the Universidad Carlos III de Madrid.

How to Cite

Neither "field" nor "world": Contributions and theoretical tools to historicise the musical culture of the early 19th century in Buenos Aires. (2019). REVISTA DE HISTORIOGRAFÍA (RevHisto), 30, 287-312. https://doi.org/10.20318/revhisto.2019.4754